Quando spotify ti vuole sorprendere lo fa parecchio bene
Geof Darrow
Questo è il bel lavoro di una vecchia amica bolognese, una di quelle che vengono dal passato come in una canzone di Guccini (e come in una canzone di Guccini, con lei mi sono fatto delle belle bevute, quando avevamo vent’anni ed eravamo stupidi… ma anche giovani e belli).
ll mio ultimo figlio, Turi Tourette, sostiene Tourette Italia Onlus per la ricerca e il supporto alle famiglie dei bambini con SdT.
Il 50% dei miei diritti d’autore sarà devoluto, se mi aiutate ad aiutare sarei molto contenta. Passate parola a chiunque possa essere interessato.
È un romanzo divertente, scritto con uno speciale carattere che agevola la lettura alle persone con dislessia. ❤️Aiutatela, anche solo con un gentile reblog, perché merita… per me a prescindere <3
Aggiungo l’info che il font è OpenDyslexic con corpo grande, interlinea spaziosa e testo imbandierato a sinistra.
Lovers at Night on a Moor, 1885. Yoshitoshi. Color woodcut
more artwork by George Pratt.
I had this guy for a teacher one year at the Kubert School. His first demonstration involved going outside, grabbing a stick off the ground, shaving a point onto it with an Exacto knife, dipping it in ink, banging out an amazing sketch in the space of five minutes, and declaring he could sell it for a couple of hundred dollars.
His point wasn’t to brag or make us feel like a bunch of hacks but to drive home the point that what seemed ridiculously easy to us was the result of dedicating himself to his art for many years and working his ass off. It was his way of telling us not to be so hard on ourselves because we weren’t all already amazing creators at the tender age of 19, and to remind us that no one gets that good at something without first being terrible at it for a long time.
City of Fire - art by Mœbius and Geof Darrow (1985)
1 + 1 = 2
1 + 1 = 11
Quale risposta scegli?
In Javascript potrebbero essere vere entrambe
per non dimenticare
No Music, No Life - Peanuts
(gif by the-eternal-moonshine)
A famous representation of the ‘Snake biting its tail’, the Ouroboros (also called Ouroboros or Infinite Serpent) is the symbol of eternal return, of the cycle of births and rebirths, of the cyclical nature of the seasons, of day and night… in short, of everything that tends towards infinity.In the alchemical tradition, the Ouroboros is a symbol of rebirth. It is the allegorical image of the alchemical process itself, in itself concluded.In fact, the process involves the cyclical succession of distillations and condensations necessary to purify the raw material in order to extract the alchemical Gold. During transmutation, Materia Prima divides into its constituent principles, which is why the alchemical Ouroboros is often represented in the form of two serpents chasing each other’s tails. The upper one winged, crowned and provided with legs represents the Materia Prima in volatile form.The one below, on the other hand, is the fixed residue, and from their re-uniting we obtain the philosopher’s stone, the ‘Great Elixir’ or 'Quintessence’.